First Impressions - Uzumaki and Dandadan
Starting with my impressions of the first episode of Uzumaki,
I was getting antsy waiting for it. I loved the manga and was thrilled when the
anime made my skin crawl and sent the perfect shiver down my spine. The
atmosphere was unsettling and spooky from the very first frame shown on screen.
The wait was well worth it, with Uzumaki originally being announced at
Crunchyroll Expo 2019. The anime looked as if they had magically pulled the
still manga images from the page and brought them to life, which is very
on-brand for Junji Ito. The entire anime is in black and white, and the backgrounds
have cross-hatching that gives them a real drawn-on-paper feeling. The close-up
shots were unsettling in all the right ways, with incredible detail. I feel
like they must have spent hours studying the Uzumaki manga itself to get
the right look.
The best scenes from the episode were pretty iconic, with
Azami Kurotani and the spiral-eyed grill being as show-stopping as she deserved
to be. After years of seeing the image, it made me shudder to watch the eyeball
floating around finally get sucked into Kurotani's head—along with some other
boys. Another iconic illustration brought to life was Shuichi’s dad scrunching
himself up and dying in the old wooden tub to become a spiral. Actual
nightmares at the thought of him twisting and turning his body to impossible
proportions! I will say, if there’s anything I’m concerned about, it’s the
pacing. The anime is a miniseries and will only be four episodes long, but I
feel like we went through some big story beats very quickly. I’m interested to
see how they condense Uzumaki and retell the story. Uzumaki is
off to a great start, and it feels like Junji Ito’s work is finally getting the
adaptation it deserves.
There seems to be a romance subplot that’s already been
turned on its head a bit, so I’m interested to see where that goes. We have the
trope of a man becoming a monster to save someone he cares about, to sacrifice
himself; but even after a stunning first-episode speech, our Casanova, Ken
Takakura, was defeated. It’s okay, though, because our leading lady, Momo
Ayase, is able to save herself by believing in herself and unlocking some
psychic powers. I already feel like Ayase is going to be a fantastically strong
female lead, even with her motivations in the introduction being to find love.
She’s kind of finding love for herself and her family already.
I like Dandadan's setup of a boy who believes in
aliens but not ghosts, and a girl who believes in ghosts but not aliens, daring
each other to scary places to prove each other wrong. It’s the start of a
beautifully competitive friendship. While I enjoyed Dandadan, I need to
address the elephant in the room: I could not recommend this to everyone. The
first episode does have a sexual assault scene that should have been made more
prevalent. It goes pretty far and tries not to take itself too seriously, but
it’s a serious topic, and people should be made aware of it. I’d like to see
where Dandadan takes itself moving forward.
Looking back, both of these shows are perfect for the start
of October—something spooky and sort of spooky—though I imagine Dandadan
will devolve into mostly action. If nothing else, you should listen to the
opening of Dandadan, performed by Creepy Nuts; it’s at the top of my
wake-up playlist. We’ll have to see if both shows can keep the hype up and
stick the landing.
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